My musical sense is multi-layered, meditative, polyrhythmic, and I like to incorporate found-sounds or sounds from the environment. I’m classically trained, so my early lessons were about being exact and precise in music. When I first started as a songwriter and composer after college, I brought that same practice into my work. Over the years, however, I have been drawn more towards the organic process of improvisation. My current work exists as a lush landscape in between exacting precision and raucous abandon. In that middle place I am cultivating a sonorous garden and all are welcome.